Kyuha Shim (Q) is a designer, researcher and educator based in Pittsburgh. He is Assistant Professor in the School of Design and Director of Computational Creativity Lab. He is the Education Director of AIGA's Pittsburgh Chapter and is currently organizing AIGA Pittsburgh Confluence to connect local professionals and students. He collaborated on a National Endowment for the Arts (NEA) supported design research and publication, Code as Creative Medium (Levin and Brain, 2021), for which he also contributed an essay titled, 'Notes on Computational Book Design'. GRAPHIC #37: Introduction to Computation (ed. Shim, 2016), a collection of his essay, conversations, and interviews with graphic design practitioners and researchers on computation has recently been published. Prior to coming to CMU, he held faculty positions at Rhode Island School of Design and Royal College of Art.
          Previously, Shim worked as a research fellow (Data Visualization Specialist) at MIT’s SENSEable City Laboratory (2012–2013) in Cambridge, MA and as a researcher at the Jan van Eyck Academie (2013–2014) in Maastricht, Netherlands. He has been awarded residencies and fellowships at Frans Masereel Centrum (2017) in Kasterlee, Belgium, Facebook's Analog Research Lab (2019) in Menlo Park, CA, and Design Incubation: Research in Communication Design (2021). He also worked as a designer at LUST (2011) in The Hague, Netherlands, and Vinyl-i (2009–2010) in Seoul, South Korea. 

          Shim works in the integrative and interdisciplinary realm of art, design, and technology, with a particular interest in the language of systems. Central to his practice and research is the use of computational thinking as a methodology for design in creating generative systems informed and driven by data. His work and research have been featured internationally (e.g., AIGA Eye on Design, Design Observer, GRAPHIC, IDPURE, Typeroom, Walker Art Center's Gradients, Wired) and he has received numerous honors from Adobe Design Achievement Awards, A'Design, The American Institute of Graphic Arts, core77, Graphis, red dot Design Award, iF Design Award, IEEE, International Design Awards, International Society of Typographic Designer, The Association of Registered Graphic Designers, The Society of Typographic Arts, Spark, Type Directors Club (New York & Tokyo) and Output Award. He has exhibited internationally in museums and galleries including Cooper Hewitt Smithsonian Design Museum in New York, Miller Institute of Contemporary Art in Pittsburgh, National Museum of the Republic in Brasilia, National Museum of Modern and Contemporary Art in Seoul, and ggg Gallery in Tokyo and in design festivals such as Open AGI, Beijing Design Week, Dubai Design Week, London Design Festival, Typojanchi (International Typography Biennial) and Seoul Design Olympic. A list of Q's project websites: Q's Classroom (2017),  GT by Q (2014),  Visibl[e]co (2012) and  Miscellaneous (2009-2013). + Say  hello to Q~!

          Code as Creative Medium. 2020.  This is the first book published by MIT Press to be designed using code. It was supported by a Media Arts grant from the National Endowment for the Arts. You can learn more about the project in my essay titled, 'Notes on Computational Book Design' (Levin and Brain, 2021). You can order a copy of the book.

          De+Composition. 2019.  Designer-in-Residence at Facebook HQ (Menlo Park, CA) between July 1 – August 9, 2019. More info: Facebook Design

          Raster. 2017.  Sponsored by Carnegie Mellon University, Q worked as a research resident at Frans Masereel Centrum (May 15 – July 7, 2017).

          The Art of Selection. 2016.  Invited work created for the Cooper Hewitt National Design Triennial - Beauty (2016), and exhibited at the San Jose Museum of Art (2016-2017).

          Formation. 2016.  Commissioned by Alliance Graphique Internationale (AGI) for the Special Project Exhibition during AGI conference in Seoul 2016. A generative system that presents a critical view of responsive design through multitudinous transitions and scaling of graphic forms.

        GRAPHIC #37, 'Intro to Computation'. 2016.  Excerpt from Q's doctoral research in the form of interviews with practitioners and researchers. As special issue editor of the issue, he opened up discourse on the impact of computation in graphic design. Concept, Design and Edit by Q, Graphic Design in collaboration with Minsun Eo. You can find more about Propaganda, order a copy or read his reflective essay. (Winner of Type Directors Club 63 in 2017)

          One Remix. 2015. Commissioned by Adrian Shaughnessy for the special exhibition at Typojanchi 2015 (Seoul, KR). A remix of all elements of the exhibition, including essays written by Shaughnessy and banner-posters created by six young graphic designers who are recent graduates from RCA. (Winner of STA100 by The Society of Typographic Arts in 2016)

          G50 Wall. 2014.  Digital installation created for GraphicsRCA 50 show, accommodating all works submitted online by alumni. It presents an aspect of the exhibition, as a continuous re-gathering and celebration of our past, present and future. (Winner of Graphis Design Annual 2016 Silver)
© Copyright Kyuha Shim 2017